Craster
A savage wildling who lives alone beyond the Wall in a squalid keep, wedding his own daughters and keeping a grudging, uneasy welcome for the Watch.
A soul born at Beyond the Wall, sworn to The Free Folk.
The fuller tale
Season Three
The survivors of the Fist stagger back to Craster's; Sam saw the dead — the Watch must warn the realm. At Craster's, the Watch turns on itself: mutineers kill their host and their Lord Commander.
Season Four
The Night's Watch mutineers at Craster's drink from the Old Bear's skull; Bran's party stumbles into them. Beyond it all, a White Walker carries Craster's last son to a cold altar — and blue eyes open. Jon storms Craster's Keep; Locke dies with a snapped neck; Bran wargs Hodor for the second time and slips away north.
Their story
Craster’s Keep is a midden with a hall on it, deep in the haunted forest — one aging wildling, a herd of daughter-wives, and no sons in sight. Craster himself is a bastard of the borderlands, wildling mother, crow father, raised in the Watch’s shadow and belonging to neither world; he has spent a lifetime building a third one, exactly big enough for himself. Within it he is king, priest and husband: he weds his daughters as they ripen, rules by fist and scripture of his own devising, and calls himself a godly man with the serene confidence of a man who has chosen gods that agree with him.
The horror of the arrangement is its arithmetic. Daughters stay; sons go. Newborn boys are carried into the wood and left, and the cold gods — the white shadows, the wives whisper — come for them. The tale is careful never to show the transaction from Craster’s side, which makes it worse: whatever he believes he is buying — safety, favor, the right to be left alone while the world beyond his palisade empties — the price is paid in infants, and the keep’s survival through years that swallow whole villages suggests the customers are real and the contract honored.
To the Night’s Watch he is that most corrosive of things, a necessary shame. The rangers call him a friend to the Watch; he sells them information and floor space, wintering patrols in a hall that stinks of what he is, and officers who would hang a brother for touching a wildling girl teach recruits not to look at Craster’s wives. Mormont’s Great Ranging shelters under his roof going north and staggers back to it broken — and the Old Bear’s courtesy to his host, maintained through gritted teeth, becomes the last straw for starving men who can smell the hidden larder.
Craster is the tale’s bluntest argument about what institutions will tolerate to survive. The Watch knows. The wives’ whispers, the missing sons, the thing in the wood — the order that exists to fight the cold gods keeps a supplier of theirs as an ally, because his roof is warm and his information good, and every officer who winters there signs the ledger by saying nothing. When the reckoning arrives it comes not as justice but as squalor — hungry men, hidden bread, drawn knives — and takes the Watch’s honor down with the host’s.
His legacy outlives him on both sides of the ledger. Gilly and her son — the one boy who got away — carry his blood south into the story’s gentlest family, raised on the opposite of everything the keep taught. And in the deep cold beyond, the tale strongly implies, the rest of Craster’s sons are still in service: the pale army assembling against the world was tithed, in part, from one man’s cradles. Few characters so minor cast a longer shadow.
How it ends for them
On the screen. Slain at his own keep (S3·E4)
The wildling who wed his daughters and gave his sons to the cold gods called the Night's Watch guests and starved them. Karl Tanner put a knife through his mouth at his own board, and the Keep's grim hospitality ended with him.
On the page. Killed at his own table (ASOS, ch. 34)
He called the starving Watch guests and hid his stores, and Dirk opened his throat over the last of the bread — kinslaying under his own roof, if the wives are right about who fathered the Watch's mutineers' luck.
He dies under his own roof, by guest right’s ugliest breach in a saga full of them. With the shattered remnant of the Great Ranging starving in his hall, Craster plays host with a miser’s hand — boasting of his godliness while the Watch’s wounded die around a cold hearth — until the taunting and the hunger strike flint. In the books a brother calls him bastard, Craster comes up raging with an axe, and Dirk opens his throat over the bread he swore he didn’t have; on screen it is Karl Tanner who does it, driving a knife up through the old man’s mouth mid-sneer, with a toast to being a legend. The mutiny that murders him kills Lord Commander Mormont minutes later — and his wives, asked what should be done with them, tell the survivors to burn the dead and go. Nobody in either telling mourns him; the wood, presumably, noticed the tithe had stopped.
Their chapters, book by book
A Clash of Kings 1 chapter that name them
A Storm of Swords 1 chapter that name them
Where the page and the screen part
The show makes explicit what the books leave in whispers: an early episode follows a son of Craster’s into the wood and shows a White Walker carrying the child away, and a later one shows the transformation itself — the infant laid on an altar of ice, the Night King’s touch, the eyes turning blue. The books offer only the wives’ terrified hints and the keep’s unnatural safety, and their Craster is if anything meaner in scale — no altar, no throne room of ice, just a filthy old man with a hidden larder and an arrangement nobody dares examine. The mutiny differs in its details too: on the page the fatal insult is the word bastard flung by starving men, and it is the ranger Dirk who opens Craster’s throat, while the show gives the deed to Karl Tanner and lets the mutineers squat in the keep for half a season, an occupation the books never stage.
Their journey
Where the two tellings send them to the same place the road runs whole; where they part, the screen keeps the left and the books the right.